Guillaume Slizewicz is a designer and digital artist whose work sits at the intersection of technology, the environment, and societal issues. Through his practice, he engages with the evolving dynamics between innovation and sustainability, using technology in poetic, evocative and critical ways. His approach draws connections between ancient practices and contemporary digital tools.

Graduating in Politics, Philosophy, and Economics from the University of Kent and later in Production Technology at Copenhagen's School of Design and Technology, Guillaume founded his studio in 2021 to explore these relationships through digital arts and collectible design. His works often blend physical materials—metal, wood, and clay—with digital processes like algorithms, artificial intelligence, and computer-aided manufacturing. Guillaume's artistic inquiry extends beyond materials to his collaborative and experimental methodology. His works, often developed within collectives and with other designers, connect the past with the future, linking craftsmanship with computational processes. His work has been presented by institutions like MAD(Brussels), Impakt (Utrecht), Design Museum (Ghent), Le Pavillon (Namur), BioArt Labs (Eindhoven), Fake/Authentic (Milan) by universities in Brussels, Leuven, Basel, Trier and Hong Kong, as well as in grassroots venues deep in the local urban fabric such Biestebroekbis, La Maison du Livre St Gilles and Constant in Brussels.

Pink

Pink

2020 Design Museum Ghent, Tri-postal Lille Colors and the senses - Colors, etc.. Natural Fibers - Paint

Partners : Edizalp Akin, Mischer Traxler

Photo Credits : Holo Wang, Mischer Traxler, Martina Orska, Guillaume Slizewicz

A kinestesic choreography around the color pink

Pink is the result of the Workshop led by MischerTraxler Studio at Boisbuchet in 2019. It is a playful experiment on the meaning of colour pink and how it could be translated into movements. We started by defining words that relate to pink such as cheeky, naive, soft, artificial and fantasy.
Then we attempted to translate those words into physical gestures and asked ourselves what movements could be considered as naive or cheeky, artificial or whimsical.

We settled on hopping, bouncing, and running amok. The result of these experiments is the video above. The photography is by Holo Wang. It was directed, choreographed, and the outfits were designed by Edizalp Akin and Myself.

Pink was exhibited in the Design Museum in Gent and the Tri-postal at Lille in the framework of the exhibition Color and the senses