Guillaume Slizewicz is a designer and digital artist whose work sits at the intersection of technology, the environment, and societal issues. Through his practice, he engages with the evolving dynamics between innovation and sustainability, using technology in poetic, evocative and critical ways. His approach draws connections between ancient practices and contemporary digital tools.

Graduating in Politics, Philosophy, and Economics from the University of Kent and later in Production Technology at Copenhagen's School of Design and Technology, Guillaume founded his studio in 2021 to explore these relationships through digital arts and collectible design. His works often blend physical materials—metal, wood, and clay—with digital processes like algorithms, artificial intelligence, and computer-aided manufacturing. Guillaume's artistic inquiry extends beyond materials to his collaborative and experimental methodology. His works, often developed within collectives and with other designers, connect the past with the future, linking craftsmanship with computational processes. His work has been presented by institutions like MAD(Brussels), Impakt (Utrecht), Design Museum (Ghent), Le Pavillon (Namur), BioArt Labs (Eindhoven), Fake/Authentic (Milan) by universities in Brussels, Leuven, Basel, Trier and Hong Kong, as well as in grassroots venues deep in the local urban fabric such Biestebroekbis, La Maison du Livre St Gilles and Constant in Brussels.

UNO

2024 Milan Brussels design beyond borders, Brussels House Milano, Design Week Spalted Beech Wood from Sonian Wood

Thanks to : Sam Van Gils and Robin Berrewaerts from LUCA Construct

UNO is a coffee table made 100% in Brussels, using wood and machines from the city.

Created from spalted beech wood, sourced from the Brussels region, this piece draws its design inspiration from the ESP-32, an iconic electronic component, modeled, scaled up fifteen times and cut with a precise CNC Machine to achieve its distinctive shape.

This table is made from spalted beechwood, a type of wood generally bypassed by industrial processes due to its irregular patterns. By embracing this material, UNO reveals the marble-like patterns inherent to the wood.